In “Kolkhoz,” Emmanuel Carrère Untangles His Russian Roots
Madeleine Wulfahrt reviews the French writer Emmanuel Carrère’s latest book, “Kolkhoz,” a conflicted family story that intertwines with Russian history.
Madeleine Wulfahrt reviews the French writer Emmanuel Carrère’s latest book, “Kolkhoz,” a conflicted family story that intertwines with Russian history.
The rejection of the President in the midterm elections is undeniable, and it reached deep into what had long been understood as conservative territory, Benjamin Wallace-Wells writes.
Ruby Cramer writes about Haley Stevens’s surprise decision to endorse Mike Rogers instead of Abdul El-Sayed in the U.S. Senate race in Michigan.
The latest from crucial Senate, House, and gubernatorial races across the country, with real-time reporting and commentary.
The vote counts from key Senate, House, and gubernatorial elections around the country.
River Clegg jokingly imagines a day in the life of a Washington, D.C., insider, complete with lobbying, anonymous leaks, and breakfast served by Mitt Romney.
Justin Chang reviews the film directed by Javier Ambrossi and Javier Calvo and starring Guitarricadelafuente, Carlos González, and Miguel Bernardeau.
Susan Glasser on Donald Trump’s final appearances in his final campaign as the let-them-eat-cake President.
Kyle Chayka reports on the phenomenon of political attack ads that feature an A.I.-generated version of the opponent.
Cal Revely-Calder reviews “The Telephone: A New History,” by James Gleick.
Shouts & Murmurs by Jack Handey: Thinking of throwing that ball for your dog? He might be scamming you.
A data center in the Meadowlands recently leaked five thousand gallons of fuel into a nearby creek. The Riverkeeper of the Hackensack gives a tour. Robert Sullivan reports.
As a newborn, the son of the former mayor won free music lessons for life at the Brooklyn Conservatory of Music—and then he quit. Now he’s finding his way back to the notes. Jane Bua reports.
In 1776, Continental Army soldiers defended what is now Glover’s Rock from the British. The other day, reënactors did it all again at Orchard Beach. Ian Frazier reports.
The artist’s best work, in a new retrospective at the Whitney Museum, directs his campy humor at gender stereotypes, Hilton Als writes.
Langdon Hammer reviews “The Channel,” by the poet Jana Prikryl.
No one cares as much about presents as children do. No pressure! Molly Fischer recommends.
In the midterms’ most competitive races, Democratic candidates are reviving an old party message: that the Republicans are selling out to the highest bidder, Benjamin Wallace-Wells writes.
With polls suggesting a bleak midterms for the G.O.P., Trumpworld in D.C. is girding itself for congressional subpoenas and preparing pardon requests, Antonia Hitchens reports.
The comedian joins the editor of The New Yorker for a live conversation at the magazine’s twenty-seventh annual event.
The musician and actor spoke with the staff writer Amanda Petrusich at the magazine’s twenty-seventh annual event.
The award-winning novelist joins the staff writer of The New Yorker for a live conversation at the magazine’s twenty-seventh annual event.
The actress discussed her Emmy-winning role on “Hacks” and her activism at The New Yorker’s twenty-seventh annual Festival.
The actor took the stage for a conversation at the magazine’s twenty-seventh annual event.
Helen Rosner writes about the Parisian sandwich jambon-beurre, which shines at Richaud Petite Bakery.
Nincs több hír ebben a nézetben